#L2 ultramaximizer on a kick drum pro

The sound is made by Gabriel and Dresden with a Studio Projects tube microphone through a Grace 101 preamp into a Summit Audio TLA-50 compressor as well as in a MOTU 828mkII interface.

The vocals also set in onslaught this can make a background vocal chopped, reversed, reverbed, delayed, phased and distorted. The album features two lead vocalists, Molly Bancroft and Jan Burton, as well as backup vocals from Dave, Josh, Gabriel's wife, Kristy and their little son, Rowan. Their second single from the album was Mass Repeat which included Eleven as a B-side, Darryl Smyers of the Dallas Observer described the single as 'a clever comment on the entire genre', he also stated that both are 'engaging and expressive mixes of movement and mind'. To surround the bass Gabriel makes sure that there is no superfluous low end taking up space in tracks that don't need it, having nothing below 400 Hz. Gabriel will also compile simple bass sets on a bus and put a multiband compressor through it, to create unity which makes it possible to be controlled with only one synth, another plug-in for bass is the Ohm Force Frohmage. The duo uses bass space wisely to put bass sounds through one bus and put a limiter such as Waves' L2 Ultramaximizer on the track. In Logic, Gabriel created fade-ins at the quarter note, and with the bass having holes in it when soloed, nothing sounds missing when played alongside the kick. The pulsating Moog bass synth in Eleven is fluid, but as soon as the kick hits, the bass fades.

They make arrangements to move the bass rhythm which has no downbeat or fading in or EQ which takes the low end out only when the kick is happening to make a pure kick, just like their song Summer Calling as Andain. They adapt a high end kick in one side and a low end kick on the other, but they do not usually layer them because the kicks provide the tones, when layered, the frequencies are interconnecting which causes a beat not a kick. Drums are an integral part of their mixes, Gabriel and Dresden tend to layer snares more than kicks. Then the sound was set in through reverb, tremolo, and a NorthPole filter This creates an uncluttered clear space in the track. Instrumental Д®leven, an instrumental track which includes the participation of Scarlett Etienne featured oscillating synth sounds and bass layers of the Voyager, string sounds were created by delaying, distorting and phasing the bass making it sound harmonically but it is an automating pitch shifter. They used plug-ins and samples as their synthesizer along the Logic Pro. In February 2005, Gabriel and Dresden collected their equipment: a Minimoog Voyager, Roland TR-909, guitars, bass and odd instruments like a German log drum and metal bell plates played with mallets to build up their pop-rock-structured dance tracks.

#L2 ultramaximizer on a kick drum pro

The duo is usually seen remixing songs from rock, pop and alternative bands but Dave Dresden and Josh Gabriel decided to build their own work with Apple's Logic Pro software and music sequencer Ableton Live. It is Gabriel & Dresden's first and last self-titled artist album, on their new label Organized Nature.